An e-zine about spaceships, aliens, science, memory, motherhood, magic, and cats.
I have more than 400 lyric videos up on YouTube and have been releasing a new one daily from my album, “Hot Chocolate for the Unicorn.”
Today’s song is “Spoiler Warning”—a satirical piece about TV shows & their fandoms that turned out quite catchy.
“Sister Ghost” is a light, pretty folk rock song about finding an appropriate home for the singer’s sister ghost at a haunted hotel. At least, literally. Continue reading “Partial Insipid Liner Notes: Hot Chocolate for the Unicorn”
This mini-musical was inspired by all the years I’ve spent playing Diablo.
If you like the idea of cheerful, upbeat, catchy music about killing demons and skeletons as you descend toward hell, then this is definitely for you!
When you start playing Diablo, the first thing you have to do is choose…
“What class are you gonna train?
Are you gonna swing a sword?
Draw a bow?
Or call the lightning and the rain?” Continue reading “Insipid Liner Notes: Doo-Wop Demon Hunter”
I’ve been invited to turn my book universe into a game for Hidden Door. So, as a first step, I’m having Claude write a series bible for the Otters In Space series, and it has the loveliest things to say…
“Warm, witty, accessible … wry humor and genuine affection for all its characters — even the villains are understandable. There’s real danger and real stakes, but the tone stays fundamentally hopeful. Think: the warmth of a Pixar film with the political texture of Ursula K. Le Guin.” Continue reading “Randomosity”
“Paw Prints Beyond the Moon” was a really fun collection to create a soundtrack for, because it required so many different musical styles. And also, the whole book is furry, and it’s just really fun to have an entire album of furry music.
That’s right — before “Fetching Asteroids” was an addictive video game, it was a flash fiction. And then, it was one of the first doo-wop songs I managed to make. Continue reading “Insipid Liner Notes: Paw Prints Beyond the Moon”
It’s out now, in all its glorious wrongness! A true abomination of art — THE DOO-WOP OF STEPHEN CRANE.
That’s right. I took Stephen Crane poems, converted them into doo-wop songs, and now you can listen to them in all their catchy irony.
If I was going to turn the poetry of Stephen Crane into doo-wop, it absolutely had to include the creature in the desert eating its own bitter heart. Continue reading “Insipid Liner Notes: The Doo-Wop of Stephen Crane”
I think this is my favorite of the 32 albums I’ve made in the last half year since discovering AI music. I mean, I love them all and can happily listen to each album over and over again. But this one speaks directly to me.
“Fresh Every Day” was inspired by an Ursula K. LeGuin quote comparing love to bread, but in this case, it’s also about music and how I can now make a new album for myself every few days if I want. Continue reading “Insipid Liner Notes: The Event Horizons on Loop”
Okay, I just tried the dark chocolate sprinkles on buttered toast trick that I’ve heard is normal in other parts of the world and wow, that’s a super tasty snack.
Fetching Asteroids is officially in Beta!!
Meaning you can try out the first game set in the Otters In Space universe—fly around as Jordan the Labrador retriever, fetching asteroids! Continue reading “Toast, Asteroids, Oxygen, Rooster, and The Comeback”
“The Event Horizons on Mount Olympus” is a Greek mythology and space opera fusion album, executed in a musical style inspired by ‘80s weird synth pop and ‘60s California surf rock.
“I Knew the Eagle” is a song inspired by Prometheus, taking the position that he’d have still stolen fire from the gods, even if he’d known the punishment it would lead him to endure. Continue reading “Insipid Liner Notes: The Event Horizons on Mount Olympus”
The poetry of Stephen Crane is in the public domain…
I wonder if it would make good doo-wop music…
I’m gonna find out!
Yes, the answer is yes — Stephen Crane poems convert beautifully into doo-wop songs. Continue reading “Stephen Crane and Doo-Wop”
Most of the Doo-Wop Fantasy albums are inspired by classes you can play in World of Warcraft. But Necromancer was too rich of a concept to pass up…
So this album is kind of like imagining the Diablo 2 Necromancer living in World of Warcraft’s Duskwood.
“In the Garden of the Gone” sets the whole tone for the necromancer album. Quiet, ponderous, a little spooky. Lurking in a graveyard. Continue reading “Insipid Liner Notes: Doo-Wop Necromancer”